While The Murder at Haversham Manor plays out like an Agatha Christie-like plot, The Play That Goes Wrong reveals what happens on the Drama Society stage's as the actors contend with missing items, breaking props, forgotten lines and unconscious colleagues. While comparisons to the classic Noises Off are undeniable, there is still a freshness to the performance with the fun and laughs remaining constant, even if there are a handful of times when they get become slightly repetitive or milked too much.
The entire cast embrace their characters, who in turn embrace their characters, and ultimately deliver near perfect comedy timing. They are more than up to the challenge when it comes to meeting the physical demands of the production with high energy and dedication, while under the brilliant eye of Australian cast director Sean Turner. Darcy Brown (who plays Max Bennett who in turn plays Cecil Haversham and Arthur the Gardener), is particularly joyful to watch especially when he's giving his charades-like performance as he speaks his lines. Brooke Satchwell as Sandra, plays the grieving fiancée Florence Colleymoore - as does Tammy Weller, who also plays the stage manager Annie Twilloil. Both are energetic with Satchwell (or is that Sandra) playing the intentional melodramatics of Florence perfectly and Twilloil's transformation from shy stage manager to determined and ferocious actor is side-splitting. If all this isn't confusing enough, then you're already ahead of the pack!
I initially attempted to hear every word that was being said, but with the riotous laughter that filled the Comedy Theatre, it was not always possible. Fortunately, it's not simply the story that matters here. While Henry Lewis, Jonathan Sayer and Henry Shields have written a fun and surprisingly intelligent double narrative (for what we are watching), it is the visual aesthetics of Nigel Hook's impressive set design brimming with surprises and "danger" at every turn that reels you in.